
An hour of unplanned walking with one roll of Portra 400: what the contact sheet kept, and why four frames out of thirty-six was enough.

An hour of unplanned walking with one roll of Portra 400: what the contact sheet kept, and why four frames out of thirty-six was enough.

Each emulsion has an opinion about color, contrast, and grain before you've framed anything — choosing a film is choosing an argument.
One roll of Portra 400, one hour in the market district, no second chances — a walk filmed from the photographer's side of the viewfinder.